Symphony No. 3

Results: 139



#Item
91Marin Alsop / New York Philharmonic / Vienna Philharmonic / Symphony No. 5 / Symphony No. 9 / Michael Tilson Thomas / Candide / Symphony No. 3 / Dietrich Fischer-Dieskau / Music / Classical music / Leonard Bernstein

PDF Document

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Source URL: www.leonardbernstein.com

Language: English - Date: 2011-12-07 16:40:22
92Winnipeg Symphony Orchestra / Camille Saint-Saëns / Symphony in D minor / Symphony No. 3 / New York Philharmonic / Windsor Symphony Orchestra / Music / Classical music / Alexander Mickelthwate

WINNIPEG SYMPHONY January – February 2011 “These are the men who put brass music on the map...”

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Source URL: www.wso.ca

Language: English - Date: 2014-01-23 18:04:52
93Symphony No. 3 / Symphony No. 4 / Joseph Schalk / Hans Richter / Symphony No. 7 / Gustav Mahler / Richard Wagner / Symphony No. 8 / Symphony No. 6 / Music / Classical music / Anton Bruckner

Two Letters by Anton Bruckner

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Source URL: www.memory.loc.gov

Language: English - Date: 2006-01-18 15:21:00
94Symphony No. 3 / Pitch class / Arpeggio / Musical technique / Music / Post-tonal music theory / Horn

French Horn Audition Requirements Scales and Arpeggios: Perform all scales and arpeggios from memory, using a variety of articulations, throughout the full practical range of the instrument. Minimum tempo for all scale a

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Source URL: www.heartlandofamericaband.af.mil

Language: English - Date: 2007-04-28 19:06:40
95Ludwig van Beethoven / Scherzo / Sonata / Symphony No. 1 / Symphony / Minor scales / Musical keys / Symphony No. 3 / Cello Sonatas Nos. 4 and 5 / Classical music / Music / Age of Enlightenment

LUDWIG VAN BEETHOVEN Symphony No. 1 in C major, Op. 21 The year 1800 was not just the beginning of a new century, but the start of a unique approach to music making. The European community was undergoing change in many w

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Source URL: artsalive.ca

Language: English - Date: 2010-09-23 17:31:18
96Symphony No. 3 / Pitch class / Arpeggio / Musical technique / Music / Post-tonal music theory / Horn

French Horn Audition Requirements Scales and Arpeggios: Perform all scales and arpeggios from memory, using a variety of articulations, throughout the full practical range of the instrument. Minimum tempo for all scale a

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Source URL: www.bandofthepacific-hawaii.af.mil

Language: English - Date: 2007-04-28 19:06:42
97Symphony No. 3 / Pitch class / Arpeggio / Musical technique / Music / Post-tonal music theory / Horn

French Horn Audition Requirements Scales and Arpeggios: Perform all scales and arpeggios from memory, using a variety of articulations, throughout the full practical range of the instrument. Minimum tempo for all scale a

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Source URL: www.usafacademyband.af.mil

Language: English - Date: 2007-04-28 19:06:40
98Symphony No. 3 / Pitch class / Arpeggio / Musical technique / Music / Post-tonal music theory / Horn

French Horn Audition Requirements Scales and Arpeggios: Perform all scales and arpeggios from memory, using a variety of articulations, throughout the full practical range of the instrument. Minimum tempo for all scale a

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Source URL: www.bandofmidamerica.af.mil

Language: English - Date: 2007-04-28 19:06:40
99Symphony No. 3 / Symphony No. 4 / Joseph Schalk / Hans Richter / Symphony No. 7 / Gustav Mahler / Richard Wagner / Symphony No. 8 / Symphony No. 6 / Music / Classical music / Anton Bruckner

Two Letters by Anton Bruckner

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Source URL: memory.loc.gov

Language: English - Date: 2006-01-18 15:21:00
100Symphony No. 3 / Pitch class / Arpeggio / Musical technique / Music / Post-tonal music theory / Horn

French Horn Audition Requirements Scales and Arpeggios: Perform all scales and arpeggios from memory, using a variety of articulations, throughout the full practical range of the instrument. Minimum tempo for all scale a

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Source URL: www.bandofthemidwest.ang.af.mil

Language: English - Date: 2007-04-28 19:06:40
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